‘Legends in Concert’ Las Vegas Show Upgraded After 26 Years

legendsTomorrow, February 21, the third longest-running show in Las Vegas, behind only “Follies Bergere” (closing this March) and “Jubilee!” gives its last performance in its longtime home at the Imperial Palace on The Strip.  It reopens on Monday, February 23 at Harrah’s Las Vegas, sharing the main showroom with comedian Rita Rudner (prior Las Vegas Backstage Access blog article).

“Legends in Concert” is marking the move to make some long-delayed upgrades and relaunch their show that’s somewhat become a victim of its own success.

When original producer-director John Stuart introduced the show to the Strip in May 1983, it was quite the in place to go.  Departed Las Vegas greats such as Bobby Darin returned and shared stage time with other ill-fated stars who never made it to the Sands.  Buddy Holly and Janis Joplin were part of the opening-week lineup.

But now, costumed impersonators- or “tribute artists” as they are affectionately called- are so widely accepted and a staple of entertainment, that few blink an eye when a new artist enters the fray.  Tributes to everyone from John Denver to Ozzy Osbourne are a regular staple of off-Strip local casinos, as well as tribal-owned casinos around the country.  And lately, the official versions of classic rock bands such as Journey and Styx have blurred the faux line even more by pulling in singers from the tribute circuit.

With so many look-alike and now sound-alike acts in Las Vegas and around the country, it’s been hard for “Legends” to maintain its authenticity and dominance.  What makes Elvis One better than Elvis Five?

Answering the challenge, the new “Legends” at Harrah’s has been reinvented and will feature a new accompanying video to put each act into the context of its original times.  And the format is trying harder to blend the “modular” approach that allowed acts to easily be swapped in an out and provide a refreshed audience experience over time. 

The show also has grown bolder about exploring its fanciful and alluring premise, letting some of its acts – and their underlying new visual technology – appear together and thus magnify the illusions.  One Christmas themed episode re-created the famous “Little Drummer Boy” duet between Bing Crosby and David Bowie.

Has “Legends in Concert” truly experienced a New Age rebirth?

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