And you thought he was…dead? Pshaw! Elvis performed his last show in Las Vegas and now is back to his old Sin City haunts, if only in spirit. But his show will, hopefully, run forever. 
Viva Elvis premiered on Feb. 19 and is the seventh Cirque du Soleil show on the Las Vegas Strip. It is one of the centerpieces of the new $8.5 billion MGM Mirage CityCenter, located in a new theater in the Aria Hotel and Casino.
Viva Elvis features all of his greatest hits set to music and embellished with spectacular sets and effects, dancing and acrobatics. It positively fills the eyes-all the time steering clear of the somber and darker sides of Elvis, thanks to the untiring efforts of Priscilla Presley and Elvis Presley Enterprises to protect the Elvis legacy.
This is a spectacularly beautiful show and it is one of only two Cirque shows in Las Vegas to employ a proscenium stage rather than using a theater-in-the-round setup.
There are other singers, but the only male voice belongs to The King himself. The evening opens witha huge video-jukebox. On the screen is Elvis singing Blue Suede Shoes. It’s light, fun and immediately gets the audience in the mood for more of his music. Don’t Be Cruel is next, followed by Junior Clay, the only actor in the show. He is Elvis’ manager, Col. Tom Parker. He comes out to explain that Elvis had a twin brother who died at birth and Elvis missed his twin his entire life. Thus he introduces the next number, One Night– a love song, more shouted than sung and is very effective. But here, for some reason, it’s used to portray brotherly love.
Two acrobats do their schtick on a large wire guitar suspended upstage center. As they’re doing their acrobatics, there’s a woman sitting at an old upright piano softly playing and singing the song. No argument that Elvis missed his twin. And no argument that these two guys on the guitar are really good at what they do. The only argument is against taking such a passionate number and doing this to it.
The next scene goes back to Elvis’ childhood in Tupelo, MS. Old photos are projected on the screen as the townsfolk carrying umbrellas come out on the stage and perform All Shook Up as a gospel tune. And the woman singing the song actually changes the lyrics to say “I’m itchin’ like a woman on fuzzy tree.”
The spectacle is a grand and joyous event that will stick in your mind for a long time — a terrific celebration of Elvis’ music. The dancing and acrobatics are lavish and exuberant. The on-stage band is exellent. And the production values are incomparable. It’s just plain fun to watch with wonderful sets, colorful costumes and captivating special effects.
Yes, the show is a bit pricey in a struggling Las Vegas economy, tickets ranging from $114 to $200, but well worth the price if you can afford it. Shows are at 7 and 9:30 p.m., Fridays though Tuesdays. 702-531-2031.
Long live The King!
Cooper was not only unsuspecting, but before the show, Cirque workers assured him, Graham and Phillips they would not be orgy-fied. 
Vegas Backstage Access (VBA) 